The finale consists of 5 variations and the allegretto con variationi. The theme in the allegretto con variationi are 2 quartette immobilise phrases. The first phrase ends on an imperfect cadence, from I to V. The second phrase ends on a perfect cadence, from V to I. In both phrases the first two exclude move with the other 2 bars using the feature rally and reply. This motif was regularly recurring within the piece. The agree structure for the first 8 bars is I I V V I V I V I I V V vi ii V I. There is not much variety within the chord structure as it was common to use a easy and organised theme in the classical period.
However, the variety in the chord structure, in bar 7, and the use of call and response creates interest. The metric grain is homophonic which is predominant in the classical period. The texture begins thin and then gradually gets thicker.
In variation 1, the instruments curiously the clarinet make wide leaps between one to another. In bars 9 to 11 violin 1 plays the quavers similar to an alberti bass. excessively in bars 12 and 15 of variation 1 the quavers ascend chromatically. In the first two bars the scattered motif is played by the violins and then in bar 4 the same fragmented motif is played by the viola and the cello. It is also played in bars 13 to 16. Repetition was a compositional...If you want to get a bountiful essay, order it on our website: Orderessay
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