The Difference between Kane & Orange

com 1). A Clockwork orange tree, while generally considered inferior standing beside Citizen Kane, is nonetheless regarding as a overcritical masterpiece of social satire by many picture critics, "Not simply a social satire only a brilliant pagan one. No movie in the last decade (perhaps in the history of ikon) has made such exquisitely chilling predictions about the future role of cultural artifacts?paintings, buildings, sculpture, music?in society, or extrapolated them from so undeceived a view of our present culture" (Comments 1).

Both Citizen Kane and A Clockwork orange are technical marvels. Citizen Kane was responsible for prefiguring many modern put ons of the camera, redness and angles. In particular, it is cited for the use of muddy-focus photography where everything in frame is in focus. This technique is used at many points in the film, including ii which retain emotional as well as opthalmic impact from its employ. The first is in the experiencening of the film when we descry Charles Kane's parents inside his boyhood home deciding the future of their son, who we see in focus through a long shot alfresco the window. It emotionally moves us because the destiny of the young man is beingness decided by his parents as he innocently plays outside. The new(prenominal) scene comes later when Kane has overextended himself financially. After he signs the papers of his renunciation, deep focus is used to show a window on a wall behind Kane. As he beings to

"A Clockwork Orange: What's In A Name?" http://www.abdn.ac.uk/~gen168/orange/name.htm May 12, 1999, 1.

"A Clockwork Orange: Comments & Quotations." http://www.abdn.ac.uk/~gen168/orange/quote.htm May 12, 1999, 1.

The use of editing and film speed are also effective in some(prenominal) films. In one of the best scenes in Citizen Kane, and perhaps the shortest almost effective adjournment of a marriage visually, a montage series of shots shows the deterioration of Kane's marriage to his first wife.

Over a series of breakfast shots that portray elapsed time, we see the cope with grow gradually distant and cold to one other through effective use of props (Kane holding his newspaper in front of his face), body language (Emily's facial experience its best not to speak), and dialogue the brevity of the montage does unspoilt justice to show the slow however complete dissolution of affection between the pair. As Emily says to Charles, "Really Charles, people depart speak up?", Charles abruptly cuts her off and finishes her statement, "what I tell them to think!" This not only shows the deterioration of their ability to communicate and share, but it also shows that Kane's absolute totalitarianism and ego are in spades an obstacle to his being loved?after all, he dies alone.

The use of lighting is also effective in enriching each film. In A Clockwork Orange we see the teen-aged droogs walking through the off-key driveways with billy clubs. Harsh backlighting creates exaggerated shadows as they roam approximately en route to their next stylized act of violence. As the boys proceed to brutalize a drunken old street vagrant, they are interrupted by Billyboy and his droogs who are about to rifle a young "devotchka." The camera pans down from a proscenium wall of an abandoned opera house (representing the decline of civilization) while operatic screams and waltz music are heard in the soundtrack. When the thugs begin their brutalization of the old drunk, preferring violence to sex, the beating is extr
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